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(W/Oe哊湝眰 蛓哊R儨倓v眰鞻 頞}Y哊4x鏴剉禰wQ孴}lf0購NRO?bP[ 稱鸤Y寣螿1_ 86 O禰虘 ul蛻皊 300 0pgKQ_NY\9e豐哊禰虘剉篘0yO豐i0塏諷蛓蟚s^I{孴 N譙r^pb剉乕Yu;m 鵞T蛓r^pb汻蠎@b\O剉}:_梑塏 N0仠綶 愻嬊 S_鉔篘鵞T鉔:ON#嶜N胈 坃\ g篘O顣 b霳/f&T(WYu NN*N詋b霳剉@b翂鬴燫}Y剉NLu 購7h剉顣槝哊0錘 N▼簨b笅齹hf 仠綶 愂SvQ@bQX 悇v~偲Y痚剉Vy6r0pgKQ0眱蒪孴\魚I{篘ir龕^\嶯齹顣購N顣槝剉篘0 駛噀Xd亯 Cultural Force of Marilynne Robinson s Novels LIU Jianhua Abstract: This paper attempts to base a study of the cultural force of Robinson s novels on the characters quotidian experience rather than their deathbed imagination and to illustrate that the cultural force of Robinson s novels lies more in the efforts to expose the oppressive forces in the culture, underline the objective law that  everything can change, and present the characters unremitting struggle for the ideal of an  unmolested life than in the intention to teach people how to cherish time and face death. Key words: Marilynne Robinson, cultural force, quotidian experience ,g噀烻}弾NS琋'Yf[ 0齎Y噀f[ 02014t^,{1g 130-137u0  Sarah Fay,  Marilynne Robinson, The Art of Fiction No. 198, The Paris Review (Fall 2008), pp. 37-66.  Brian W. Shaffer et al ed., The Encyclopedia of Twentieth-Century Fiction, Vol. II, Chichester, West Sussex: Wiley-Blackwell, 2011, p. 804.  James Wood,  Acts of Devotion, New York Times (November 28, 2004).  Sandpoint PW=(W1r緩w冝]剉g'YVn蔿Xo穇eY^t\Vn壐\, hT鬡q\痵眀 ;`篘鉙NCSYO篘 2011t^珗pQ穇KQ硚)R鶴HrlQ鳶孴 0蔔錯齎 0膵:NhQ g\G 0  Pembroke College ^g'Yf[剉MRsYP[f[b0  Laura E. Tanner,   Looking Back from the Grave : Sensory Perception and the Anticipation of Absence in Marilynne Robinson's Gilead, Contemporary Literature, Vol. 48, No. 2 (Summer, 2007), pp. 227-252.  fW硚 NFO(W購莧N簨-N闟W[*g衏fN虘蛓蟚sQ鹼筫b梽v蟸寶 (W膵薔仠綶 悇vhQ钀R\O剉噀鄗-N_N g衏蔛購筫b梽v蟸寶0(W0RS+T鬴Y蛓蟚蟸寶剉 0禰 0鰁 yY闟魦僛橯哊 wck剉瞏gR FO g銐蕬購*N瞏gR/f&TN蛓蟚 gsQ0Shaffer et al ed., The Encyclopedia of Twentieth-Century Fiction, Vol. II, p. 805.  ^gJohn Brown, 1800-1859 , 齎焇tY;NIN 1855_薡(W*X(劘e啒黐fk艌焇tY袕≧ 1859t^珗Uc1\IN0諲@b啒黐剉袕≧乬'Y0W纎S哊匭bMR剉WSS踳0  痚褃yr(W:_屚y蟚;N槝(W仠綶 怽O罷-N剉蛻亯0WMO鰁魦 0禰 0孴 0鶺R穇 0/f gsQ禰璣0薙 寣Tp剉GYfN0FO僛霳/f& & gsQ齎篘u;m-N剉蛓蟚孴梉Ye顣槝剉OfN0 A. O. Scott,  Return of the Prodigal Son, The New York Times (September 19, 2008).  Marilynne Robinson. Gilead, New York: Farrar, Straus and Giroux, 2004.  仠綶 愻媦Y^8^sQ鑜焇tY;NIN(WWSSb塏KNMRTT N TYeO孴 N T蜽G晀Q T!P黐剉蛓蟚s^I{t骮俌UO郪 Teg(W噀S-N裇u剉術蛓豐S  坢 孴 珗豞 0yY魦 N蛓噀S遺齹俌dkeP豞 購/fN鯪蔪篘剉婲 N鯪^8^颯`剉婲0 Jennie Rothenberg Gritz,  Gilead s Balm, The Atlantic (December 2004), <http://www.theatlantic.com/magazine/toc/2004/12/>.  蜰1691t^_ T<\歂轢gHQ惽復S怹Z誰_薡 齎qQ g踁ASN*N轢 g蚐怹Z誰0蜰1780t^綶Y誰<\歂轢gHQ焇d柾S怹Z誰髞蔔 qQ g孨AS擭*N轢HQT焇d柾S怹Z誰0鶺R穇@b(W剉c?朜S轢1839t^惽復S怹Z誰 1851t^焇d0*b髞pgKQ詮轛鶺R穇剉1956t^ 蚇 g孨AS擭*N轢 g蚐怹Z誰 S靊Nc?朜S鋁剉芠蟼虘0匭^蒪痚燫孴WS緩褃TX N轢0  0癳l*Y弝髼 01860\魦烻噀 If anyone offend these little ones, it would be better for him if a millstone were put around his neck and he were cast into the sea. 褘噀_陙 0鏴癳hQfN 0 櫃/nxm酧O鶴Hr钀 1980t^0  O穇貜鑜a0R ~偲Y痚剉韹奯NN魐(W豐 豐梍妽eg妽 {脋0颯1r0駇塴 0Wood,  Acts of Devotion.  ~偲Y痚珗茐:N 輣鵞颯`梽v賁饛 ;N亯烻郪/f諲齹Ya茓0R陙馷/f*N YHN筟f痳晞v賁饛 0Ann Hulbert,  Amazing Grace, Slate (December 6, 2004).  0鏴塲u艝fN 084-50\魦烻噀 There shall yet old men and old women dwell in the streets of Jerusalem, and every man with his staff in his hand for every age. And the streets of the city shall be full of boys and girls playing in the streets thereof. 陙褘0  騍芠痚(W0R 0鶺R穇 0N 0禰 0剉鴙yOm怗0 Ali Smith,  The Damaged Heart of America, The Guardian (April 16, 2005).  Marilynne Robinson. Housekeeping, New York: The Noonday Press, 1980.  Marilynne Robinson. Home, New York: Farrar, Straus and Giroux, 2008.  O穇\/O w\O ╟≧\O罷 剉篘ir :N諲剉汻蠎eg陙諲剉 鯭鄏0%N塖孴陙& & 骮烻屩N剉?QP[tS萐 N齹 0James Wood,  The Homecoming, The New Yorker (September 8, 2008), pp. 76-78.  仠綶 fnx&T歔菑蛓:NNR龕褳}vRf0Nb N豐剉皊瀃聣0yY魦 b鬴淯"k 篘唙^y#W 萐唙痳 剉皊瀃!j_0 Missy Daniel,  Interview: Marilynne Robinson, Religion & Ethics Newsweekly (March 18, 2005).  痚褃yr鑜a0R =\仠綶 慁[~偲Y痚孴/O` g術蛓 淯1r FOyY鵞諲霳剉yb膵_N/f ZW歔 %N塖 剉0Scott,  Return of the Prodigal Son.  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